Anytime a paradigm shift occurs, problems will arise and will have to be addressed. Research at Clemson University has become a necessity instead of an option. With state funding dropping from ____ in 1990 to around ___ in 2008, our institution must find other ways of funding, and that funding is research. The state budget will continue to be cut and those cuts will be passed down to the departments.
AAH is not known as a research college; however there are research dollars out there for our college. Since research has not been a priority, tools to assist those individuals interesting in research are available, but they are not widely know. Personnel have been added over the last few years and workshops and assistance are being developed to facilitate the research. Over the last seven years research has steadily increased in our college as you can see by the table below. With this increase comes the reality that steps need to be taken to do everything we possibly can to help our college succeed in this area.
This project proposes to develop a set of guidelines for the new grant writer in the College of Architecture, Arts and Humanities to use in developing an idea that conforms to the larger overall goal of the funding agency. Successful grantsmanship is critical to the economy of the academic research institution. This project will not contain instructions on how to do research. This guide will focus on how to seek out funding opportunities and write a winning proposal. A new grant writer needs to be able to identify the needs of the targeted funding agency or approach an agency with an unsolicited request. This project will look at successful versus unsuccessful proposal submissions, and attempt to understand how the project fits into the philosophy and mission of the agency or organization targeted. This manual is designed as a new reference document that will be housed in the Office of Research and Graduate Studies. It will also be available on the AAH Research web site, and will be incorporated into the training cycle conducted by the research office staff.
The goal of this manual is to be the only reference guide needed on a long road to preparing a successful proposal. A great deal of effort will go into showing that a good idea is necessary but not sufficient and that a successful proposal is an exercise in good communication. This guide will show how to gain insight from seasoned grant writers that know the system. Students will be able to understand the importance of finding a way of differentiating their grant proposal from run-of-the-mill applications.
Because of the diversity of the College of Architecture, Arts and Humanities no one funding agency is identified for our guide. Each year there are more and more demands for research dollars and the competition for these dollars is great. Each year the number of proposals submitted by Clemson University’s CAAH increases.
This project will benefit CAAH in that a manual will be available for reference when writing proposals. Readers can employ different methods in using this manual depending on their needs and experience. This project will integrate writing, communication, rhetorical analysis, and the importance of research itself.
The purpose of this literature review is to summarize ideas about the research on writing successful proposals. Numerous books, how to listings, and guides offer insights to novice grant writers and even those with experience, however, it is believed one manual tailored for CAAH research would be a useful tool that can offer assistance and insight to both the novice and experienced grant seeker.
Successful grantsmanship is critical to the economy of the academic research institution. A new grant writer needs to be able to identify the needs of the targeted funding agency or approach an agency with an unsolicited request (Carlson,12). This project proposes to develop a set of guidelines for the new grant writer to use in developing an idea that conforms to the larger overall goal of the funding agency. This guide will be readily available for anyone in CAAH. It is expected that this guide will save time and increase efficiency for faculty and students in that they will have one location to go to for guidance. This review will focus on the importance of compiling a manual that focuses on the importance of communication rather than research ideas.
A proposal must reflect a well-planned project. The cost must be reasonable. Often, the most common flaws grantmakers find in proposals are lack of clarity about what the writer is trying to achieve, the importance of the need, and the plan for meeting that need cost effectively (Lauffer, 103). The funding agencies are sending a clear message that the grant seekers will be expected to demonstrate solidity in long-term financial success of the project to be funded and of the funding agency itself (A Proposal Writing Short Course). Funding agencies fund work that furthers their mission. In addition, getting to know the grant officers, funding limits, and previous funded grants from those agencies are critical (Wason,144).
Reviewers become frustrated at having to read and reread a research plan before understanding a project. Carter and Quick, co-authors of How to Write A Grant Proposal, have written four books on the subject. They spend a great deal of effort illustrating how grant seeking is primarily project development, research, and positioning. The writing of the proposal actually comes last. They stress that “one should never write the first line of a proposal until the project is fully developed and at that point the proposal writes itself.” In addition to getting to know the funder, one must also understand what all is involved in the proposal process. As stated above, writing the text of the research is only a fraction of the work. Assembling budgets, tables, and getting the proposal through internal reviews are critical (New, 202). These references show the more effort and time the funder has to devote to figure out the proposal application, the less energy they will have to review the proposal itself. This also brings a key point: never assume the reader knows what the writer means (Rasey, Writing the Grant). She states, “explain it as clearly as possible but without insulting his/her intelligence.” One should keep abbreviations, acronyms, and discipline-specific terminology to an absolute minimum.
Consulting someone with experience is key to help understand what makes a grant successful (Whalen,116). Experienced grant writers not only can share past experiences, they can also provide key connections with funding agencies. Bauer, author of How to Evaluate and Improve Your Grant Effort, interviewed veteran grant writers and listed a variety of reasons for seeking grants. Among their reasons were the following:
· Grants allow exploration of interest.
· Grants help move a department toward its goals.
· The department/school needs the results that grants generate, such as equipment, personnel and research findings.
· Grants can get things that the institution cannot afford to purchase (e.g., equipment, graduate students, post doctorial employees, and course release.
· Grants can lead to publishing, the deliverance of papers at professional meetings, and travel.
Experienced writers can advise on how not to make the same mistakes they made. A study in Getting Funded: A Complete Guide to Proposal Writing, found from interviews that some proposal writers deliberately set out to dazzle readers with their mastery of technical terminology and overblown phrases. He also discovered some writers try to make a simple, routine job sound complex and difficult in hopes the funder will think they are getting more for their money. Tips included from the interviews for making a more understandable proposal are:
· Say the most important thing first.
· Summarize often.
· Present general concepts, conclusions, major points first; then present the details.
· Use simple, familiar words.
· Use short sentences.
· Keep paragraphs short.
· Write in an active voice.
· Write in the first-person plural.
· Repeat, repeat, repeat.
· Use high-connotation words and phrases.
· Fine tune the first sentence.
Exponential growth in academic grants efforts is another area to carefully consider when planning a proposal. On one hand the idea of “growth is good” (more money, more indirect costs, more research, more publications and more prestige for the university) and on the other, “there is no limit to where research funding can take the university” (Bauer,1995,11). It is important to factor in the reality of the infrastructure to support exponential growth. One must take into account if there are adequate labs to house the research and space for the potential growth and the problems associated with this type of growth (Locke, et al, 186).
One area that is repeated in a great deal of the literature is the importance of following the rules set by the funder. The guidelines for the organization will indicate what to include in a grant proposal. Most funders want the same basic information, even if they use different words or ask questions in a different order. Checking the funders website often will produce all instructions, templates and guidance for assistance needed to submit a proposal to that funder. This guide will house an outline that should meet the needs of most funders, or guide the writer when approaching a funder with no written guidelines.
My primary focus from this will be to write a manual to guide the newcomer and to help an individual understand that one cannot simply identify a funder and write a proposal. There is no substitute for a good idea, but successful proposal writing is an exercise in communication.
Monday, June 2, 2008
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2 comments:
Your understanding of the current situation is obvious in this rough draft. It's clear that you understand the situation at Clemson and the more general situation with new proposal writers. However, the opening is a little disconnected from the body of this section (and it might be your executive summary), so I would suggestion more transitions and the use of headings to connect and demarcate your ideas. It almost seems like the first part is written toward your client or primary audience and the second part is geared toward the classroom audience. I also think its interesting that you are taking a rhetorical approach to the guide, and you may want to explain that in more detail. For instance, will this approach allow the guide to have a longer shelf-life?
It is clear you understand the need. As a non-traditional research-based college, AAH faculty will need assistance in writing competitive proposals for extrmural funding. Currently, such resources are not in place to assist faculty with this endeavor so this is the deliverable you will provide. Your top objective is clear and so is your purpose.
There is bit of a disconnect in that all of the ideas are present but do not necessarily flow to create the argument, and if you write drafts like I do, I get all of my ideas on paper and worry about constructing the argument once I see the bigger picture =)
I think if you gear this proposal towards Dr.London (isn't it London?), view him as your primary audience, this will really come together into a dynamite proposal. Your purpose and objective are clear. The points for your argument are present. It is a little jumpy throughout in that you waiver back and forth between why the guide needed and how it is going to be constructed.
I think for the second draft I would take what you have and try different ways of organizing it, because really, the foundation is there and you have a great idea that has potential to do a lot of good.
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